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Title: | Movie Reviews and Discussion |
Notice: | Please do DIR/TITLE before starting a new topic on a movie! |
Moderator: | VAXCPU::michaud o.dec.com::tamara::eppes |
|
Created: | Thu Jan 28 1993 |
Last Modified: | Thu Jun 05 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 1249 |
Total number of notes: | 16012 |
372.0. "Fearless" by DSSDEV::RUST () Mon Nov 08 1993 14:26
"Fearless" is the new Peter Weir film about people who've faced death
and what it does to them. It stars Jeff Bridges and Rosie Perez, and
includes a strong, sleazy performance by Tom Hulce as the disaster
lawyer, and a disappointingly restrained (and small) part by John
Turturro (sp?) as the airline shrink.
There are some really fine elements in this picture, but it didn't come
together for me - which is a shame, because the good stuff is really
good. For one, there's the "score" - most of the time there's no
incidental music at all, the background consisting of machine noises
(jet engines, sirens, traffic noise, all sorts of different
techno-sounds, used as a drone or a bass line; made me think of the
aboriginal music in "The Last Wave") and the occasional tune on a
character's car radio or stereo. [The few occasions that did use
not-in-the-character's-world background music felt jarring by
contrast.]
Another nice element - there's very little saccharine in this story.
For example, Bridges' character Max saves a bunch of people from a
plane crash (in the opening scenes, which open right away - no credits,
and in the show I saw, no previews either; don't be late for this one),
but when one of the survivors, a young boy, seeks him out and wants to
stay near him, saying "I feel safe with you," instead of being
presented as a "gosh, ain't he wonderful" thing, we get to see the
episode through the eyes of Max's son, who finds the new kid to be just
too weird, and his idolization of his father jealousy-provoking.
In addition to that, there's some really fine airplane-crash footage;
the best I can recall, in fact. (It still probably wasn't as cluttered
and chaotic as the real thing, but if they took it much farther the
audience would have no clue what was going on; I think this was a good
compromise.)
Perez' performance was another strong point; heartbroken and withdrawn,
she underplayed marvelously, a much better foil than (I think) Bridges'
portrayal quite deserved...
Which leads me to the main thing I _didn't_ like: Bridges. Maybe it's
me, but this role felt a lot like a mirror-image of his performance in
"The Fisher King" (which I also wasn't crazy about); what was supposed
to be a gazing-into-the-distance, I'm-beyond-all-this smile just seemed
like a frozen smirk, and I found it hard to believe that everybody else
found him so charismatic. [Oddly enough, for the sake of the rest of
the movie, I was willing to accept the plot premise, but for me every
scene that involved somebody idolizing Max included a fuzzy box around
Bridges with an "insert charismatic person here" label on it. Oh,
well. Maybe I'm still annoyed with him for camping up the psycho in the
why-did-they-do-it remake of "The Vanishing".]
Despite my difficulty in connecting with his character, I'll admit that
his detachment added to another of my favorite parts of the movie.
Somewhere in the middle there was a half-hour or so segment that felt
like pure Patricia Highsmith to me: the protagonist wandering aimlessly
between his normal life, home and family, and some Other World that he
seems to be deliberately seeking out despite any amount of logic
suggesting that it's a Bad Idea; his wife and son trying to reach him,
being rebuffed - and yet in such an impersonal way that they can't
attach blame to anything - and having to draw away from him in self
defense; it all added up to severe feelings of alienation in the midst
of the commonplace, with that certain knowledge (so often encountered
in dreams) that Something Bad is Going to Happen, but that one is
helpless to prevent it. I thought it was a really marvelous sequence,
but alas! the thread was snapped towards the end of the movie, and
its resolution felt like a cop-out.
So, can I recommend this? Oh, heck, why not. The good parts are really
good, there are some really amusing bits scattered throughout, the San
Francisco scenery is lovely (as is the desert area around Bakersfield,
which I believe was portrayed by Australia), and most people probably
don't have as much of a problem with Bridges as I do.
But don't expect to see this as an in-flight movie any time soon. ;-)
-b
p.s. Spoiler-quip follows:
<spoiler warning - I mean it>
I couldn't help thinking, after it was all over, that it would have
been a hoot and a half if, instead of opening with the cornfield
sequence, the film had begun with a closeup of Bridges' mouth,
muttering the word, "Strawberry...", and switching to a slo-mo shot of
a half-eaten berry tumbling to the ground. (To be done right, this
would have required a slight change in the ending, but I think it would
have been an improvement, myself.)
-b
T.R | Title | User | Personal Name | Date | Lines |
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372.1 | ***** | DECWET::JWHITE | this sucks! change it or kill me | Mon Nov 15 1993 19:48 | 8 |
|
i think 'fearless' is the best movie i have seen in years. far
and away the best movie of the decade (so far ;^). while i
understand some of the concerns in .0 about bridges, i didn't
have any problems with him and thought he (like the rest of
the film) was just about perfect.
|
372.2 | | 34838::KATZ | Follow your conscience | Tue Dec 28 1993 11:22 | 6 |
| re .1 Yes I liked it too. Bridges did a great job. A very intense
story. Having seen Vanished and Fisher King within 1 1/2 years of each
other it looks like Bridges is just getting better.
-Jim-
|
372.3 | | 29052::WSA038::SATTERFIELD | Close enough for jazz. | Mon May 02 1994 19:50 | 9 |
|
I also enjoyed the film a great deal. I felt vaguely disappointed as if it
didn't quite come together but I can't really put my finger on why. At any
rate it was an intelligent film that didn't play down to the usual level of
what gets released these days (or any other days for that matter).
Randy
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372.4 | | NETRIX::michaud | Jeff, what a great name! | Tue May 03 1994 02:22 | 6 |
| > In addition to that, there's some really fine airplane-crash footage;
> the best I can recall, in fact.
I 2nd the crash footage (which in addition to the real time lead
in, is shown in flashbacks throughout the film, including some of
the best footage at the end).
|
372.5 | | 3270::AHERN | Dennis the Menace | Wed Jul 06 1994 15:35 | 25 |
| RE: .4 by NETRIX::michaud
>I 2nd the crash footage (which in addition to the real time lead
>in, is shown in flashbacks throughout the film, including some of
>the best footage at the end).
Unfortunately, the tape we rented was twisted near the end. Question
after the <spoiler> please...
The place where the tape malfunctioned was after he ate the strawberry
at home and crashed to the floor. There was some "going to the light"
flashbacks from the crash, and I think we saw him just start to be
revived when it cut out.
Is that pretty much the end?
Does he stay with his family or go off to live in the desert with the
Latino woman and the boy who keeps following him around?
Does he take the settlement money from the insurance company and throw
it off the Golden Gate Bridge, or what?
|
372.6 | ending | VNABRW::BARTAK | Andrea Bartak, Vienna, Austria | Wed Jul 13 1994 14:14 | 15 |
| answer behind a spoiler
It's some time ago since I've seen the movie, but I hope I can
remember:
His wife manages to revive him and so saves HIS life. Now he's not the
big hero anymore, but she is, at least for him.
He stays with his family. (Happy End, isn't it?).
Andrea
p.s. I cannot say exactly why, but I did not like that movie.
|
372.7 | | 16316::DDESMAISONS | no, i'm aluminuming 'em, mum | Wed Jul 13 1994 15:24 | 9 |
|
>> p.s. I cannot say exactly why, but I did not like that movie.
Me neither. Good plane sequences, yes, and Rosie was good, but
as pointed out in the base note, Bridges turned in a real nothing
performance.
|
372.8 | Rosie of Brooklyn-Brook Farm | 16930::SMITH_MA | | Thu Sep 01 1994 19:52 | 10 |
| ROSIE WAS GOOD?!?! At what, being herself? This is the biggest scam
since Madonna professed to being a singer. Take a look at her in
Untamed Heart, same accent and she lives in the mid-west. She drives
me insane!
However, I liked the movie (didn't love it and I, too, am not sure what
element was missing) and it's definitly worth renting if you missed it
on the big screen.
MJ
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372.9 | | 27748::PORTERD | | Fri Sep 02 1994 08:55 | 6 |
| Haven't seen the picture but was it said that she was a native
mid-westerner? If not maybe she relocated. Also how do you know what
"herself" is. The majority of us do not know these actors only the
character's they play.
Donna
|
372.10 | | OOTOOL::CHELSEA | Mostly harmless. | Tue Sep 06 1994 12:06 | 5 |
| Re: .8
Have you seen _Fearless_? I haven't, but I've read enough about it to
know that Rosie's character is nothing like the other characters she's
played. She's a subdued and grieving mother this time.
|
372.11 | 10 out of 10 | 54291::GARLICK_N | | Wed Sep 07 1994 04:31 | 8 |
| I think Rosie Perez' performance is superb. The way she changes from
someone smashed flat with grief who barely has the strength to get out
of bed, to a woman who can go dancing in a shopping mall at Christmas
is, if you'll forgive me, awesome. And the way she looked at the baby
cradled in the other shopper's arms...without saying a word you could
see *all* the pain and sadness and longing.
Nick
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