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Title: | Movie Reviews and Discussion |
Notice: | Please do DIR/TITLE before starting a new topic on a movie! |
Moderator: | VAXCPU::michaud o.dec.com::tamara::eppes |
|
Created: | Thu Jan 28 1993 |
Last Modified: | Thu Jun 05 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 1249 |
Total number of notes: | 16012 |
311.0. "64 Charlie MOPIC" by 3131::PRIESTLEY () Tue Aug 24 1993 19:15
I posted something on this movie in the old conference, but I think it
is worth another posting.
Back some time ago, I caught a movie on American Playhouse, I do not
know if it was ever available for general release or if it was an
original. It was called "64 Charlie MOPIC"
The story takes place during the Vietnam War and it follows the last
mission of a small Long Range Reconnaissance Patrol (LRRP for short).
The interesting twist on this film is that it is filmed from the
perspective of one of the characters, an army motion picture
photographer, thus the name of the film which is the Military
Occupation Specialty designator for that profession. The film picks up
with the arrival of the MOPIC and a new 2nd. LT who is taking over the
LRRP team which has been run, here-to-fore by a battle hardened
sargent. The team is comprised of very different men, from totally
different walks of life, all with different backgrounds, beliefs and
reasons for being there. Despite this, they all work together as a
team.
Through the film, the MOPIC interviews the various members of the team
regarding their particular experiences and views on things, at the same
time, he is filming the actual mission they are engaged in and learning
about fieldcraft himself. As the story goes on, things start to happen
and all the emotions gather and swell and explode on screen with some
really exceptinal performances by relatively unknown actors. At times
I found myself turning away, changing the channel, shaking, crying,
etc. I always went back because i wanted to know what happened to the
characters. It took me at least an hour for my pulse rate to slow and
the shakes to go away once the film was over. This film is not
entertaining, but it is seriously affecting, at least for me.
I must admit that part of the impact on me is based on the fact that I
was an infantryman for a short time and had enlisted to do exactly that
sort of work, fortunately I never had to, but I trained for it and knew
exactly what was going on as well as all the risks and dangers
involved. For me it was one of the more frightening things I had ever
seen.
If you get a chance to see this, do watch it, it is a really fine film.
Andrew
T.R | Title | User | Personal Name | Date | Lines |
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311.1 | From a fellow admirer | 51219::GARLICK_N | | Mon Sep 27 1993 07:42 | 15 |
| I'd heard about this film for a couple of years and had never been able
to find it. I did, eventually, in Holland, in a videostore that seems
to specialise in action and horror movies. I wonder what the owners
thought they were buying when they ordered it.
I have to agree. I think it's an excellent film and it's still in my
mind at least a year after seeing it. It never seems forced, or faked
and the fact that the whole movie is always being shot from one vantage
point never gets tedious or distracting: the camera always seems to be
in the right place at the right time but, as I say, without the film
ever appearing to be 'staged'.
Has the director ever done anything else?
|
311.2 | Patrick Duncan | QUARRY::reeves | Jon Reeves, ULTRIX compiler group | Mon Sep 27 1993 19:41 | 3 |
| If he's done anything else, it's not in the databases.
Incidentally, the number in the title is '84', not '64'.
|
311.3 | | 6602::SCHIAVONE | Five Guy Smell Participant | Tue Sep 28 1993 16:09 | 4 |
|
Right-o, 84C is a motion picture specialist
/Cap'n Quad
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