Title: | Movie Reviews and Discussion |
Notice: | Please do DIR/TITLE before starting a new topic on a movie! |
Moderator: | VAXCPU::michaud o.dec.com::tamara::eppes |
Created: | Thu Jan 28 1993 |
Last Modified: | Thu Jun 05 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 1249 |
Total number of notes: | 16012 |
Made in 1963. Audrey Hepburn plays a widow livng in Paris whose recently deceased husband was mixed up in post-war espionage and a theft of gold. Three men (including a young George Kennedy and James Coburn) are after Hepburn, who they believe has the gold. Cary Grant, who Heburn meets at a ski resort in a wonderful scene of witty dialog (they just don't write dialog like that anymore), comes to help her. Or does he? It's one of those films that always keeps you guessing, right up to the last scene. Very well done. And what a great pair, Cary Grant and Audrey Hepburn. Those sophisticated, cool-under-all-circumstances demeanors. The acting of each was just perfect. Heburn, even when she just breathed, exuded charm, and here it was no exception. In a small elevator, with the two of them cramped together, she gently touches Grant's famous cleft in his chin, and says, "How do you shave in there?" I nearly fainted on my couch. ;^) (Which led me to consider how often lines are written especially for an actor/actress's special physcial characteristics. Has anyone in a film ever mentioned Redford's prominent facial moles, for example? The only other instance I can think of is Harrison Ford's scar, which was mentioned in Temple of Doom, I believe.) Later, as Grant and Hepburn are going into separate hotel rooms, she says to Grant (who has resisted her): "You know what's wrong with you?" "What?" Grant shrugs indifferently. "Absolutely nothing," Hepburn sighs. A wonderful film. Even the opening credits are good (when's the last time you actually saw interesting credits? Sneakers is the only film I can think of.) -Rob
T.R | Title | User | Personal Name | Date | Lines |
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93.1 | 28994::WSA038::SATTERFIELD | Close enough for jazz. | Wed Mar 24 1993 11:49 | 13 | |
A film that owes a lot to Hitchcock, I've always enjoyed it. The only time Grant and Hepburn appeared together, unfortunatly. Us laserdisc fans are still awaiting a release on disc. Another instance of a reference in the script to a famous cleft chin was in _The War Wagon_ and referred to Kirk Douglas. In reply to a question about it he said he slept with his ring there, inplying that's what caused it. :^) Randy | |||||
93.2 | Another Audrey Hepburn movie to check out | TNPUBS::NAZZARO | UMass - 2-time A10 Champ! | Wed Mar 24 1993 13:26 | 6 |
Speaking of Audrey Hepburn, I saw a movie with her and Peter O'Toole the day after she died, coincidentally enough, called "How to Steal a Million". It was terrific, even though a bit dated. Hepburn and O'Toole worked well together. Highly recommended. NAZZ | |||||
93.3 | DECWET::SHUSTER | Egad! An Adage! | Wed Mar 24 1993 17:34 | 5 | |
Yes, How to Steal a Million is similar to Charade, teaming another classy actor with Hepburn in Europe. Like Grant, O'Toole plays the sophisicated crook, and trades numerous witticisms. -Rob | |||||
93.4 | Minor digression re scars... | 3600::LAVEY | Dr. Heckyll & Mr. Jive | Thu Apr 01 1993 13:41 | 11 |
> ... The only other instance I can think of is Harrison Ford's > scar, which was mentioned in Temple of Doom, I believe.) Actually, there's a scene in Working Girl where Melanie Griffith asks Ford how he got his scar. This is after they've, uh, gotten close enough to discuss such things.... :-) Another explanation for it is at the beginning of IJ and the Last Crusade, during the young Indy scene.... -- Cathy | |||||
93.5 | great one | 5315::CLARK | Fri Jun 03 1994 18:45 | 2 | |
A superb movie that deserves only kind comments. |