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Title: | Arcana Caelestia |
Notice: | Directory listings are in topic 2 |
Moderator: | NETRIX::thomas |
|
Created: | Thu Dec 08 1983 |
Last Modified: | Thu Jun 05 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 1300 |
Total number of notes: | 18728 |
1101.0. "Neal Stephenson" by TECRUS::REDFORD () Sat Aug 29 1992 12:16
"Snow Crash"
Neal Stephenson
Bantam Spectra, June 1992 (trade paperback)
Lurid, but a lot of fun. Cross Thomas Pynchon with the comic book
"American Flagg!" and you have a taste of the style. A sample is
given below. Our hero (whose name is actually Hiro Protagonist)
does most of his work on "The Street", which is a virtual reality
MUD, established by "the computer-graphic ninja overlords of the
Association for Computing Machinery's Global Multimedia Protocol
Group". The Street is a common space viewable through stereo
goggles:
"When Hiro goes into the Metaverse and looks down the Street
and sees buildings and electric signs stretching off into the
darkness, disappearing over the curve of the globe, he is
actually staring at the graphic representations of a myriad
different pieces of software that have been engineered by
major corporations. In order to place these things on the
Street, they have had to get approval from the GMPG, have had
to buy frontage on the Street, get zoning approval, obtain
permits, bribe inspectors, the whole bit. The money
corporations pay to build things on the Street all goes into a
trust fund owned and operated by the GMPG, which pays for
developing and expanding the machinery that enables the Street
to exist. ... "The sky and the ground are black, like a
computer screen that hasn't had anything drawn on it yet; it
is always nighttime in the Metaverse, and the Street is always
garish and brilliant, like Las Vegas freed from constraints of
physics and finance. But people in Hiro's neighborhood are
very good programmers, so it's tasteful. The houses look like
real houses. There are a couple of Frank Lloyd Wright
reproductions and some fancy Victoriana...
"In the real world - planet Earth, Reality - there are
somewhere between six and ten billion people. At any given
time, most of them are making mud bricks or field-stripping
their AK-47s. Perhaps a billion of them have enough money to
own a computer; these people have more money than all of the
others put together. Of these billion potential computer
owners, maybe a quarter of them actually bother to own
computers, and a quarter of these have machines that are
powerful enough to handle the Street protocol. That makes for
about sixty million people who can be on the Street at any
given time. Add in another sixty million or so who can't
really afford it but go there anyway, by using public
machines, or machines owned by their school or their employer,
and at any given time the Street is occupied by twice the
population of New York City...
"The Street is a hundred meters wide, with a narrow monorail
track running down the middle. The monorail is a free piece
of public utility software that enables users to change their
location on the Street rapidly and smoothly. A lot of people
just ride back and forth on it, looking at the sights. When
Hiro first saw this place ten years ago, the monorail hadn't
been written yet; he and his buddies had to write car and
motorcycle software in order to get around. They would take
their software out and race it in the black desert of the
electronic night..."
Hiro runs afoul of Uncle Enzo's CosaNostra Pizza, of a seriously
sinister dude named Raven, and of Bob Rife, media overlord and
master of the Raft, a floating refugee camp that makes the
Haitian boat exodus look like a weekend yacht outing.
Stephenson has written two other very funny books that you might
want to find: "Zodiac" and "The Big U". "Zodiac" is about a
chemist and eco-terrorist who has the perfect means of getting
around Boston - a Zodiac raft with an outboard. Downtown to
Fenway Park in five minutes! He battles polluters all over
Massachusetts with the help of his nitrous-whiffing metalhead
roommates. "The Big U" is a thinly disguised satire of Boston
University, with its mega-dorms and its terrifying president
Septimus Severinus Krupp, lately candidate for governor. He's
not a writer for the delicate of sensibility, but if you're a
color-loving technoid, give him a try.
/jlr
T.R | Title | User | Personal Name | Date | Lines |
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1101.1 | highly recommended | DECALP::MERRILL | Brad Merrill RTR SWE | Thu Oct 01 1992 14:12 | 10 |
|
re: Snow Crash
As far as I'm concerned this is the best "Cyberpunk" genre book I've read.
It leaves Gibson, et al, way behind. My only complaint would be that it
is very busy (many different things going on). It also represents the abstract
computer world (and the way people attach to it) in very plausible ways.
It also ends somewhat abruptly, another 50 pages would have been nice.
/Brad
|
1101.2 | | SA1794::CHARBONND | in deepest dreams the gypsy flies | Fri Oct 02 1992 04:08 | 1 |
| is this guy capable of writing simple sentence? gawd he runs on....
|
1101.3 | | DECALP::MERRILL | Brad Merrill RTR SWE | Fri Oct 02 1992 06:39 | 8 |
|
Probably not! :-)
What's interesting was that it was supposed to be the storyboard for a
graphic novel. Maybe it will be yet...
/Brad
|
1101.4 | | BOLTON::PLOUFF | Lifestyles of the unrich and anonymous | Wed Dec 23 1992 13:47 | 6 |
| Interesting that .0 found this novel "lurid." I thought that
underneath the action and attitudes was a pretty decent exploration of
the idea "language is a virus." _Snow Crash_ is better than the
somewhat similar cyberpunk distopia _Synners_.
Wes
|
1101.5 | Go For It | DRUMS::FEHSKENS | len, Engineering Technical Office | Mon May 03 1993 13:02 | 7 |
| I just finished Snow Crash last week (mostly on airplanes and in hotel
rooms). I thought it was a great read, with some unique and interesting
concepts. I found it somewhat less "off the wall" than a lot of the
cyberpunk genre; "lurid" seems a bit overstated. Recommended.
len.
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