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Conference noted::sf

Title:Arcana Caelestia
Notice:Directory listings are in topic 2
Moderator:NETRIX::thomas
Created:Thu Dec 08 1983
Last Modified:Thu Jun 05 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:1300
Total number of notes:18728

58.0. "Kingsbury's COURTSHIP RITE" by EVE::MAXSON () Wed Apr 18 1984 04:16

	"Courtship Rite" by Donald Kingsbury
		reviewed 18-April-1984 by Mark Maxson
	Published by Pocket/Timescape, 1983  Order #: 0-671-46089-7 $3.95

	Set in a distant future on the remote planet, Geta, this is the story
	of the Getans - a race of human colonists who have half-forgotten
	their origins, left to live or die on the harsh desert of Geta.
	The local plants are all poisonous, and they live on insects and
	eight grains transplanted from Earth. To suppliment their diet,
	cannibalism has been ritualized. Their knowledge of genetics has
	not been lost, nor their belief in evolution - they eat generally
	the crippled, weak, old or stupid - and tan the human skin as leather
	for shoes, clothing... life on Geta is not nice, pleasant, or long.
	But they survive, uncovering piece by piece their past as humans.

	They regard the ship which brought them to Geta as God - silent and
	unchanging, it passes across the sky in a one-day orbit. And so, the
	priests rule Geta, deciding the life and death of each individual,
	day by day, using traditions of the centuries. But a book is uncovered,
	which tells the history of Earth, and War - and by this new, horrifying
	knowledge of their past, the stable culture of Geta is shocked,
	galvanized, and changed as page by page is decrypted. The heroes,
	a family of three husbands and two wives, are the medium by which the
	author unveils his story - we watch as they struggle to stay alive and
	together in the shifting religion, politics and emotions of the era.

	Reviewer's opinion: This is a disturbing and challenging book. The
	author shows no mercy for humanity - the Getans are in a bad spot,
	and the Author, like their harsh ship-God, has put them there and keeps
	the trouble coming. There are many similarities between this book and
	"Midnight at the Well of Souls" reviewed earlier; with and equal number
	of differences. The characters are tangibly real people, their problems
	are outrageous, but despite the foreground plot, there is more action
	in the background - the changes to the society in which these people
	live is the real story. This book, also, is the introduction of a
	series (yet unpublished) - but I believe it is a full story in itself,
	and could stand quite well without sequels.

	Technically, this novel is hard to read - the Author introduces many
	words of Geta dialect, which must be decrypted from the context. The
	concepts of cannibalism, polygamy, and brutality are hard for a 20th
	century man to tolerate. But the trip is worth the struggle - this is
	an exciting story filled with imagination, ideals, challenges and
	passion. The book was properly nominated for a Hugo - I don't know if
	it won. I give it a seven, all factors considered, and that's worth
	reading.
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58.1ReviewVERGA::KLAESQuo vadimus?Fri Dec 10 1993 15:1894
Article: 454
From: [email protected] (Dani Zweig)
Newsgroups: rec.arts.sf.reviews
Subject: Unnumbered Reviews #2: "Courtship Rite", by Donald Kingsbury
Organization: Netcom Online Communications Services (408-241-9760 login: guest)
Date: 10 Dec 93 02:36:59 GMT
 
	Unnumbered Reviews #2:  "Courtship Rite", by Donald Kingsbury
 
Donald Kingsbury published "Courtship Rite" (****, on an uncalibrated
four-point scale) in 1982, and didn't win the Hugo award for best novel.
Don't ask me why not.  It's one of those rare books that creates a society
that really is different -- and manages to tell a good story in the process. 
 
One suspects, though we aren't explicitly told, that Geta was settled by
colonists who couldn't travel farther and find a better prospect.  They
were only able to transplant the thinnest and most fragile of ecologies --
a handful of Earth plants, bees, and humans.  Native plants tend to be
inedible or poisonous.  Geta is an arid world, and famine is never far.
It's a world which could generate powerful evolutionary pressures --
biological and social. 
 
Geta is also a world where the nation state never took hold.  There are 
clans -- think of them as inbred, semi-autonomous guilds -- but they are
often geographically dispersed.  Warfare never took hold, either.  If a 
clan of priests (the nearest thing there is to political leadership) wants
to attack another clan, it has to do so itself or, at best, pursuade other
clans to help.  (Priesthood is only marginally a religious matter.  The
term also comprehends genetic engineering and -- during famines -- deciding
who gets to eat and who gets to be eaten.)
 
"Courtship Rite" focuses upon a critical time in Geta's history -- one
which sees rapid technological, social, and philosophical change -- and
upon one family, the Maran Kaiel.
 
The Kaiel are a priest clan which rewards foresight:  Those who are most
able to negotiate workable policies, and to correctly predict the results
of those policies, become leaders, and also get to make the greatest
genetic contributions to future generations.  The least able get to
contribute more immediately, via the stewpots.  (Other clans think the
Kaiel carry this to extremes, but a clan's internal eugenic arrangements
aren't really seen as anyone else's business.)
 
The Maran are one of the most successful Kaiel families.  As the book
opens, the five of them (three husbands and two wives) are courting
the preeminent physicist of their generation, when the Prime Predictor
forbids the marriage.  He plans to expand Kaiel influence to the sea and,
to further this goal, he orders the Maran to court Oelita -- a heretic
of considerable prestige.  (Her heresies?  She's an atheist:  She believes
the God of the Sky to just be a natural satellite -- though any competent
astronomer can see that it doesn't always obey orbital laws.  She believes
humans to be products of natural evolution -- though any competent
geneticist can see that this is impossible.  She doesn't approve of
cannibalism.)  The Maran do not take kindly to this interference, and
decide to test Oelita's worth with a Courtship Rite.  
 
The rite has a certain charming simplicity:  If the person being courted
can survive seven attempts on her life, she's worthy.  (You may appreciate
that the rite is not very popular, and isn't often used.  If nothing else,
it's likely to sour the target on the people doing the courting.)  Nothing
else turns out to be simple, unfortunately, not least because another
priestly clan is also trying to extend its influence into the same region.  
 
"Courtship Rite" comes out of the best tradition of thought-experiment
sf, and presents a society which is not just a variation on old themes --
without sacrificing story to message.  It's a society whose customs we
might sometimes find distasteful, but the characters who people it are
sympathetic.  The book also has a great deal to say about our own society,
without doing so too intrusively.  (Kingsbury also wrote the less
successful "The Moon Goddess and the Sun" (**), a near-future sf novel in
which lectures and expositions *do* overwhelm the story.)  
 
	The machines mainly supplied the creches but Noe, Oelita 
	thought, would be the kind of woman who would use a surrogate
	mother to carry her own children.  She'd have a batch of maybe 
	six and keep the finest of the lot for herself after careful 
	tests had sent the remaining five to a temple abattoir.  How
	was it possible to reach a woman like that?
 
Disclaimer:  Don't think of this as a review series.  It's just unnumbered
to help me keep track.
 
%A  Kingsbury, Donald
%T  Courtship Rite
%D  1982
%I  The Pocket/Timescape paperback appeared in 1983
 
-----
Dani Zweig
[email protected]
 
  Watership Down:  
  You've read the book.  You've seen the movie.  Now eat the stew!

58.2ARCANA::CONNELLYAack!! Thppft!Fri Dec 10 1993 16:4810
I didn't finish this book, despite the interesting premises.  Why not?  Well,
the author was really into the multiple viewpoint method a la Frank Herbert
in the various Dune sequels.  You saw what was going through most of the
actors' minds in any given scene.  But unfortunately it made it hard to keep
the characters and their motivations distinguishable and thus sympathetic. (I
had the same problem with the Dune books after "Dune Messiah", so i think it's
either just me or the technique is an exceedingly difficult one to use well.)

								- paul